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Anthony Van Dyck Family Group oil painting


Family Group
Painting ID::  41023
Anthony Van Dyck
Family Group
mk159 1621 Oil on canvas 113.5x93.5cm

   
   
     

Anthony Van Dyck Portrait of Elizabeth and Philadelphia Wharton oil painting


Portrait of Elizabeth and Philadelphia Wharton
Painting ID::  41024
Anthony Van Dyck
Portrait of Elizabeth and Philadelphia Wharton
mk159 Oil on canvas 162x130cm

   
   
     

Anthony Van Dyck Portrait of Eberhard Jabach oil painting


Portrait of Eberhard Jabach
Painting ID::  41025
Anthony Van Dyck
Portrait of Eberhard Jabach
mk159 1636-37 Oil on canvas 113x91.5cm

   
   
     

Anthony Van Dyck The rest in the flight to Egypt oil painting


The rest in the flight to Egypt
Painting ID::  42041
Anthony Van Dyck
The rest in the flight to Egypt
mk166 1630 I Wave on cloth 134x195cm Galeria Palace Pitti, Florence

   
   
     

Anthony Van Dyck Portrait of a Woman and Child oil painting


Portrait of a Woman and Child
Painting ID::  43124
Anthony Van Dyck
Portrait of a Woman and Child
mk170 1620-1621 Oil on canvas 131.5x106.2cm

   
   
     

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     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

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     | Simone Martini | Elizabeth Shippen Green | Gerard Dou |


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